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Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

Just a single important plot development, but it leads to a comically executed rampage on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film releases in British and Irish theaters from November 17.